Her unstable temperament, at first, works as an asset because it gives her a persona that gels well with the characters she plays. Mahi Arora (Kareena Kapoor) is an insecure woman and a big movie star when the film begins. It is creditable, however, that bluntly as the director goes about it, the movie gives you pause in its seamy revelations, and, by the end, is surprisingly emotional in its presentation of the utter loneliness that fame, and the inevitable fading of it, can cause. Introspection suits it ill, and since Heroine very clearly identifies film journalism as being a part of the contractual operations of movie star invention and closure, Bhandarkar’s film is not likely to be greeted with media cheer. Honesty and self-reflection are not prized in an industry that is as cynical, transactional and incestuous in its creation and destruction of movie stars as is Bollywood. Heroine is a patchy work of cinema, but, ultimately, it communicates. In this story of a fading movie star, Kareena Kapoor plays her most courageous role so far

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